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SOUTHERN MESSENGERS                 18




































         Revitalize traditional woodcarving with

                              new brilliance

                               传统木雕技艺焕新彩



           Ratna Muni Brahmacharya is the Chair-  serves as a decorative architectural fea-
        man of Nepal Woodcraft Association and       ture, commonly found at the entrances of
        Proprietor of Ratna Wood Handicrafts. He   temples, palaces, and significant buildings,
        said, “Woodcarving is an essential aspect of   symbolizing the warding off of evil and
        the Nepalese way of life. The tradition and   the welcoming of good fortune. Sha-Jhyal
        evolution of woodcarving craftsmanship   is a large traditional window adorned with
        have endured for centuries, with roots that   Toran. The production process is intricate;
        can be traced back thousands of years.”  even with the collaboration of five skilled
           The uniqueness of Nepalese woodcarv-  craftsmen, it takes a year to complete a sin-
        ing craftsmanship is primarily evident in   gle window.
        the meticulous selection and processing of   The statues of Buddha and deities play a
        wood. High-quality timber sourced from   vital role in the art of woodcarving. These
        the Terai in southern Nepal undergoes at   figures not only illustrate the deep religious
        least a year of natural sun-drying before be-  devotion of the Nepalese people but also
        ing transformed into premium materials for   showcase their dedication to artistic expres-
        woodcarving. This natural drying process   sion and beauty.
        preserves the wood’s original texture and   Confronted  with  the  challenges  of
        strength, establishing a foundation for the   modern industry, Nepalese woodcarving
        exquisite durability of the finished carvings.  craftsmanship faces the dilemma of pres-
           Dipak Raj Tuladhar, manager of the   ervation. Nonetheless, artisans like Ratna
        Proprietor of Amarapur Wood Carving,   Muni Brahmacharya and Dipak Raj Tu-
        explained the woodcarving production pro-  ladhar, along with other dedicated crafts-
        cess to us: “First, we create a design sketch   men, remain committed to safeguarding and
        on paper, then transfer the design onto the   passing down this traditional art form. They
        wood and carve various intricate shapes   also share their knowledge and skills with
        based on the drawing.”             the youth through training programs, allow-
           Toran and Sha-Jhyal are distinctive   ing Nepalese woodcarving to shine with
        woodcarving products from Nepal. Toran   renewed brilliance in the contemporary era.
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